Korsun landscape park
It was founded in 1782 for the owner of the Korsun leadership - prince Stanislav Ponjatovsky by architect Z. A. Muntz in style of English landscape parks. It settles down on several islands of the river of Ros and "a continent". The park has no accurately outlined axial composition. Numerous lanes, paths (about 2 hectares) open to visitors new landscapes, reminding even today the different countries of the world.
The Korsunsky park is the park created by the nature that differs from parks, created by hands of masters, including the "Soviyivka park". The park is generated by use of motives of a primitive landscape: mighty groups of howlite (basically, Rakapivi granite), numerous river canals, quiet creeks, riffles, granite rocks, existing plantings of trees. That is, the foundation components of the park are a tree, a stone and water. In 1787 - 1789 in the territory of the park small architectural forms - Turkish and Chinese arbours appeared, an ancient Greek temple, a triumphal arch, an Egyptian temple and a grotto cut in a rock as well.
After 1799 the park has got lines of Russian romanticism: dense (central) lime lane, small architectural forms, the symbols connected with history of Russia and a kin of Lopuhin princes. Cosy comers of the park are decorated with pavilions for peacocks and pheasants, sculptures. It was one of the best landscape gardening complexes of Ukraine. After 1918 the destruction of the park began which proceeded till the end of XX century. In 1925 it was called "The Park named after Lenin".
On April, 6th 1928 the Korsunsky park was declared as the nature sanctuary of the local value. According to the decision of Council of Ministers of Ukraine Number 105 of the 29th of January, 1960 the park was declared as the monument of landscape gardening art and related to the List of monuments of national value. In 1980s of XX century the reconstruction of the park began. The sculptural composition “Jan and Natalka " (the author V.Klokov), the obelisk with a multifigured composition on motives of Taras Shevchenko’s works were placed (the author M.Zaporozhets), the bridge over the anonymous stream, arbours etc. were constructed.